Dentro del umbral
Estación Material · Guadalajara

Nidia Rosales is a curator, art historian, and cultural manager from Oaxaca de Juárez. Her work brings together curatorial projects, research, and writing.
She holds a bachelor's degree in Hispanic Language and Literature, a specialization in Art History, and a master's degree in Art History with a focus on Curatorial Studies from the National Autonomous University of Mexico (UNAM). She also studied for a master's in Cultural Management at the Universidad Autónoma Benito Juárez de Oaxaca (UABJO).
She founded and directed the independent art space Espacio Centro in Oaxaca de Juárez from 2015 to 2019. She is currently part of CIMBRA, a curatorial project that transforms abandoned spaces into exhibition settings.
Her writing appears in books, catalogs, magazines, and independent publications. With artist Beatriz Rivas, she published Encender (2021), a book of poetry and illustrations produced through lithography and hand printing.
Direction and management of Espacio Centro (2015–2019), an independent art space in Oaxaca de Juárez.
Open to diverse forms of artistic expression, Espacio Centro hosted exhibitions, talks, residencies, presentations, performances, screenings, poetry jams, film series, and workshops.
17 projects
Estación Material · Guadalajara
Historic center · Oaxaca de Juárez
Independent publication · Oaxaca
Feria de Arte Material · Mexico City
Oaxaca
Oaxaca
Three spaces · Oaxaca
Historic center · Oaxaca de Juárez
Iglesia Vieja · San Raymundo Jalpan
RABIA · Oaxaca de Juárez
San Agustín Etla · Oaxaca
Reverberaciones de una colección viva
Centro de las Artes de San Agustín · Oaxaca
Abandoned plot · Oaxaca de Juárez
CLAVO Movimiento · Mexico City
Unfinished house · Oaxaca
Uninhabited house · Oaxaca de Juárez
Oaxaca de Juárez
No projects match these filters.
A career spanning writing, research, teaching, and curation.
70 entries
CIMBRA selected through the Feria de Arte Material Projects call, Mexico City, for the 2026–2027 period.
Financial support from Patronato de Arte Contemporáneo for CIMBRA’s editorial projects, 2026–2027.
Co-edited with CIMBRA; contributor of “Curadurías en tránsito.” An independent publication on curation from Oaxaca, presented at Feria de Arte Material, Mexico City.
Author of “Transitar ruinas, excavar memorias futuras,” Literal Magazine.
Talk accompanying the opening of Rocío Cerón’s exhibition. Biblioteca Henestrosa.
Poem in Mirel Fraga’s book, supported by PECDA. Book presentation at Biblioteca Infantil de Oaxaca, BS Canteras.
Participant in discussion panel 2 of Curando la curaduría, marking ten years of the Curatorial Studies field in UNAM’s Master’s in Art History. Museo Universitario de Arte Contemporáneo (MUAC), UNAM.
Author of “Territorios vastos en la obra de tres artistas desde Oaxaca. Edith Morales, Laurie Litowitz y Lissette Jiménez.”
Exhibition text for Mirel Fraga’s presentation at Geometry Studio, Brooklyn, New York.
Exhibition text for Sergio Hernández’s presentation at Taller Sangfer.
Exhibition text for Laurie Litowitz’s presentation at Biblioteca Henestrosa (2023), followed by a talk on the exhibition (2024).
Course. Museo Amparo and UNAM’s Instituto de Investigaciones Estéticas.
Contributor of “Las lenguas, el agua y el territorio. Leer en capas una crisis ambiental al sur de México.” Open Humanities Press.
Master’s graduation essay: “Una transformación de su dispositivo de exhibición en el contexto de la institución del arte entre Oaxaca y Ciudad de México.” UNAM.
Exhibition text for the group show by Hoja Santa Taller.
Awarded with the sixth Curatorial Studies cohort in UNAM’s Master’s in Art History.
Curatorial collaboration for Tania Bello’s exhibition at Museo de Arte Contemporáneo de Oaxaca (MACO).
Exhibition text for Yatiní Domínguez’s presentation at RABIA.
Exhibition text. Instituto de Artes Gráficas de Oaxaca (IAGO).
Presentation of Alvise Calderón Berra’s short-story collection. Instituto de Artes Gráficas de Oaxaca (IAGO).
Poetry and illustrations co-authored with Beatriz Rivas. Lithography and hand printing at Taller Gráfica Libre. Presented at Instituto de Artes Gráficas de Oaxaca (IAGO).
Poem in a fanzine featuring 21 women illustrators in Oaxaca, edited by Mirel Fraga and Polvoh Press.
Poem in the fanzine published by Polvo Press.
Exhibition text for Mirel Fraga’s presentation. Instituto de Artes Gráficas de Oaxaca (IAGO).
Workshop taught with Beatriz Rivas. Instituto de Artes Gráficas de Oaxaca (IAGO).
Selection committee for the Programa de Estímulo a la Creación y Desarrollo Artístico, 2020–2021 edition.
Workshop offered by the independent publisher Amigas íntimas.
Short-story collection. Independent publisher Amigas íntimas, Mexico City.
Author of “Exoesqueleto,” in Nomadismo. Screen-printed by Ojo Tres and Mutaciones.
Literature instructor at Centro de Educación Artística Miguel Cabrera, INBAL.
Copyediting and editorial production. Los Dibakus, Colección Parajes, Secretaría de Cultura.
Research fellow on Dr. Franziska Neff’s project. Instituto de Investigaciones Estéticas, UNAM, Centro de Extensión Oaxaca.
Chapters “Los Tlacolulokos activos. Migrar hacia otras identidades en Oaxaca” (pp. 282–289) and “Talleres especializados de gráfica en Oaxaca: La Huella Gráfica” (pp. 226–233). Edited by Alonso Aguilar Orihuela and Paola Ambrosio. Arte actual Oaxaca–Secretaría de Cultura.
Contributor of “Panorama actual de los talleres de gráfica en Oaxaca” (pp. 82–87), catalog edited by Manuel Guerra, USA. Presentation of the third-edition Ambos lados print portfolio at IAGO.
Exhibition text for Sergio Chávez Hollar’s presentation. Galería Arte de Oaxaca, Oaxaca de Juárez.
Evaluation committee for the Programa de Apoyo a las Culturas Municipales y Comunitarias, 2019 edition.
Workshop by Pako Altamirano. Centro de las Artes de San Agustín (CaSa).
Course held as part of CEDART Miguel Cabrera’s 2017 training program.
Course held as part of CEDART Miguel Cabrera’s 2017 training program.
Poetry presentation in the exhibition marking World Poetry Day. Biblioteca Andrés Henestrosa.
Presentation of Brenda Lozano’s short-story collection. Feria Internacional del Libro de Oaxaca (FILO).
Presentation of Sam Gardner’s book of poetry and visual art. Instituto de Artes Gráficas de Oaxaca (IAGO).
Editor of issue 1 of the independent art and literature magazine. Author of “Frente al trabajo. Una aproximación a la obra de Jesús R. Flores” (pp. 30–33). Magazine presentation at IAGO.
Author of “¿Es la gráfica política realmente política?,” issue 3 (pp. 31–33), IAGO. Magazine presentation at IAGO.
Author of “La cerámica de alta temperatura de Jannis Huerta,” October (pp. 28–29).
Examiner for the written expression and argumentation assessment under Acuerdo 286 Bachillerato.
Pilot online diploma program. Centro Nacional de las Artes (CENART).
Presentation of Alan Vargas’s book. Biblioteca Henestrosa.
Presentation of the project by Espacio Centro and Taller Gráfica Libre. Instituto de Artes Gráficas de Oaxaca (IAGO).
Presentations at IAGO’s Miércoles del Alacrán forum and La Trampa Gráfica, Ernesto Alva’s workshop in Mexico City; participation in World Art Day, Oaxaca.
Reading in the poetry slam at Festival Bienvenidos los Tristes. Plazuela del Carmen Alto.
Subtitle-based intervention in James Benning’s film, as part of the El nuevo arte de escribir film series. Instituto de Artes Gráficas de Oaxaca (IAGO).
Poetry reading at Centro de Educación Artística Miguel Cabrera.
Contributor of reviews and cultural reporting to Fundación Alfredo Harp Helú’s cultural magazine, Oaxaca de Juárez.
Editor of issue 1, November–December.
Editorial assistant for the literary magazine, Oaxaca de Juárez.
Research fellow.
Diploma program. Government of Oaxaca, SECULTA, UAM-Xochimilco, and CONACULTA.
Workshop by Jacob Navarro. CENEVAL.
Research support in the Historical Diplomatic Archive of Secretaría de Relaciones Exteriores, for Dr. María Lourdes Franco Bagnouls’s project at UNAM’s Instituto de Investigaciones Filológicas.
Reviews and product descriptions for the new-publications magazine. Commercial Management area, under Carlos Rojas Urrutia.
Examiner training workshop by Jacob Navarro for Acuerdo 286 Bachillerato. CENEVAL.
Maestros del exilio español special lecture course, taught by Jorge Volpi Escalante. Facultad de Filosofía y Letras, UNAM.
Editing and editorial design workshop taught by Mauricio López Valdés. Facultad de Filosofía y Letras, UNAM.
Juan Ruiz de Alarcón special lecture course on texts and Inquisition proceedings in the Archivo General de la Nación. Taught by Margarita Peña. Facultad de Filosofía y Letras, UNAM.
Guillermo y Alejandro de Humboldt special lecture course on exoticization and self-exoticization. Taught by Friedhelm Schmidt-Welle. UNAM, El Colegio de México, and the German Academic Exchange Service.
Workshop by Eva Nuñez Alonso. Facultad de Filosofía y Letras, UNAM.
Workshop by Gustavo Mora. Centro Fotográfico Manuel Álvarez Bravo.
Curatorial projects, institutional collaborations, and conversations to come.